Aretha Franklin: At Columbia, everything pretty much was arranged for me by Mr. Hammond.  He would secure the musicians and arrangers — Bob Mersey, who was just magnificent in those days. He probably still is.  Clyde Otis did some of the production work in the early days.  Ray Bryant did some of the production work, a fabulous pianist.  But the difference — I think the main difference was Jerry (Wexler) asked me to sit at the piano and bring in some things, where, at Columbia, they pretty much were telling me what to do rather than just letting me do.  So I think that was the main difference.  I made the selections once we got to Atlantic.