Cindy Sherman: Originally, I did just one roll of film, and my idea was it was just going to be this one blonde actress’s, like, span of her career. So within this one roll of film, I shot, I think, six or seven different vignettes of her, with different wigs on, some of them trying to look like she was very young and then getting a little bit older, so her hair, the blonde hair gets longer in some and is very short in others. And the idea was that it would just be these six—I wound up with just six images at that point—that were just telling the sort of the life of this, you know, would-be or has-been actress. And yeah, after I shot it, then I just kept, just try to keep going and doing other kinds of wigs. And I was doing a lot of research of, of movie stills from European movies. Yeah. I just kind of kept going, but then at a certain point I stopped when I realized I was starting to repeat some of the ideas of some of the earlier shots, like there was one of a woman with a black scarf that we see the city behind her. And it looked just like very early one that I did of a woman, like, in a little suit with the city behind her, as if she’s starting out to work. And so yeah, that’s when I sort of decided it was time to stop that.