Cindy Sherman: We had one of these, like, Time Life catalogs or books of the “100 Best Paintings in History” or something like that. And the most contemporary one was a Dali of The Last Supper, and I don’t know when that was, maybe from the 50s or 40s. I don’t know when he painted that, but it was—I mean, that was probably my only exposure to art at that time. But I do remember in the 70s, I guess in the—well, maybe it was actually more in the 60s because it was before I was in college, because we got Life Magazine and Time, of course—but seeing an article about Lynda Benglis in Life Magazine and photos of her throwing, you know, pouring latex on the floor. And it was the first time I had seen the idea of a woman being an artist. And because I was always very creative and doing things with my hands while I was, you know, sitting, doing, watching TV, or something like that. And I just knew that I was going to do something creatively. But I thought at that time being an artist would be somebody who sits on the boardwalk and does caricatures of people, or working in a courtroom drawing people, you know, the courtroom proceedings. So, I really didn’t have much exposure to contemporary art or the art world or knowing any artists or anything.