Longhand. Longhand on a canary-color paper. I like writing on yellow paper because — it has to be a soft canary-color paper — and with ballpoint pens, several. I’d get a box of them around the place, and I’d get two or three reams of paper and start writing. And once I have done that, then I’d type it on the canary-color paper, and then I’d go over it, change things around if I have to, and then I’d go to the white paper, and then I send it to New York. So I’ve really gone over it about three times by the time I send it to my editor and my agent. I’ve gone over it three times already. And as I said earlier, I went over Catherine Carmier about six or eight times. I must have gone over it 18 times or more, 20 times or more.