Gustavo Dudamel: I will say it’s very in a way looks very physical. You know, it’s like a dance. At the end, you are moving your hands in front of an orchestra, your arms, but it’s like a choreography, and that is, that is a dance part of, of conducting. But I remember, I didn’t have any kind of, at that time, you know, in the 80s, I didn’t have videos of what was a conductor. I only went to a concert and I saw and I was trying to imagine what I was studying and analyzing and trying to move my hands and do something with that. But at the end, yes, is something that starts from that, but then it gets very deep in a very, I will say philosophical, metaphysical, psychological thing, conducting—more than. Spiritual. It’s more than moving your hands in front of an orchestra and the people watching you jump or move or do these kind of things, it’s something very spiritual, that is right. Yeah.