Gustavo Dudamel: I’m very grateful to the Philharmonic and to all the community in Los Angeles that we had the opportunity to develop in our own, you know, with our own needs because El Sistema, of course you can take and you can replicate here and there, but it depends because every society, every community, have their own needs. And when we started YOLA, I remember it was one of the first things that was very important for me. And I think for Deborah, it was also something very important to bring joy and to create a program that connect the orchestra with the community, you know, and that gives, you know, the space for young people, especially to underserved children, you know, poverty and difficult conditions to have that space for music. And to see the evolution of YOLA after now 15 years is very important. Maestro Abreu always said something very, very beautiful. He said, “The culture for poor people cannot be a poor culture.” You know, and he said in the sense that for the poor people, for the people that needs, we have to give the best, the best that we can. We cannot be something like, OK, I will help you. And this is something that happened in Los Angeles. Now we have a center, you know, that dignify the work of these young people. You know, a beautiful, you know, building design by Frank Gehry, with the generosity of Tom and Judith and all the Los Angeles Philharmonic Board and Orchestra and community, so we have a space where you can build your dreams in the best conditions. This is justice. This is not only creating a beautiful musical school. No, no, no. Just this is a space for really have, you know, the best values in a space that have brings you, you know, the right aim, the right space to develop that. And this is something that makes me very, very happy and proud of this work.