I had the luck of having a teacher, several teachers already in the fourth grade, a Mrs. Printup, and then in the fifth grade a Mrs. Hughes, in the sixth grade — by the time I’m 11 — a Mrs. Williams, and they knew that I was interested in this, and they also knew that my classmates were not, so on a Monday, if I had listened to the opera that Saturday, I would be asked by my various teachers, “Now would you like to tell us what it was you heard on the radio on Saturday?” I was happy to. The kids were bored to tears. You can just imagine it, you know, sort of 10-year-old boys sort of sitting there listening to some girl go on about Leontyne Price singing Aïda. I mean really, what is Aïda anyway? And I would tell the story, because I’d make notes when Milton Cross was telling us what was going on, so that I would be prepared. So I had my little sort of shtick every Monday morning, you know, during the course of the year when the opera was on, that I might be called upon to talk about the opera. So I arrived with my notes and bored the class to absolute tears for these 15 minutes. One of the operas — a wonderful septet from an opera of Donizetti, the one that I mentioned earlier, Lucia di Lammermoor, it has such a beautiful, beautiful ensemble, and I memorized the tune because it was so pretty for my ears, and I had remembered it by the time Monday turned around, and I could talk about it to the class, and that was the one time that I think the boys in the class actually listened to what I was saying. (Humming). I mean just the most beautiful tune imaginable.