We still, I think, haven’t got the categories fully straightened out about fine art and commercial art.  We like to think we have, but I don’t know. It’s proven to be, actually now, that American illustrators of a certain quality are commanding very high prices all of a sudden, because they’re so damn special.  And if art — if the character of art — doesn’t contain the idea of specialness, rare achievement, and of a certain limited convention, then I think we’ve got it wrong if we don’t celebrate anything which makes and comes to these rare achievements.